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Subjective / Objective , Philosophy of Science


Tatl

I just made an account here. First post. I'm a 26 year old musician/producer/mixer. I started taking interest in audiophile questions about two years ago, stemming from a quest for dead-accurate monitoring. I've been all over the audio internet, and I've heard a good deal of systems in person. Audiophile and pro, analog and digital, cheap and expensive. It's funny how the audiophile world and the pro world don't really like to mix, even when they're taking interest in the same questions.

 

One of my favorite audiophile writers is Herb Reichert, because he's obsessed with sound that is -direct- and -naked-. Corporeal and palpable. "In the room" explicit. He is allergic to sheen or gloss. His writing asserts that there must still be technological aspects essential to convincing playback that we haven't yet learned to measure, since systems with textbook A+ measurements can still lack this elusive naked quality. Herb prizes this directness over perfect frequency response, dynamic response, or resolution. For him, it is its own parameter with its own merit, and its origin and relation to the others remains mysterious, though he is constantly investigating. Systems that check other boxes, but lack this essential quality, are for Herb false and deceptive, since they offer everything but the soul of the music.

 

Now of course, there are many in the audio world who feel this way, or who perhaps feel similarly about some other quality they've discerned. Most people call them "subjectivists". To me...it seems like they're misunderstood. Their general claim is simply: we haven't learned to measure everything that's important, so one has to keep an open mind and seek undiscovered correlations. We hear differences outside of what is reflected in the measurements.

 

Philosophically speaking, any measurement that reliably correlates to reality, ever made, in any science, was initially correlated to the human subjective senses, or rests on proofs, which ultimately rest on correlations to our naked senses. The most basic proof for 1+1=2 is that you can pick up one twig, pick up another, and there, you have two twigs in your hand. The subjective layer is the FIRST data layer. You always view numbers on pages THROUGH this layer, and interpret them through mental proofs BASED on it. All accepted science is based on subjective impressions our ancestors agreed on.

 

Even the number one is based on subjective experience. The experience of a whole. The experience that an object can be separate from it's environment in the first place. The experience that a pebble is a separate thing from the air or water around it, and that it has a high enough degree of self-consistency to be given a name at all.

 

It seems wildly arrogant to assert "we're at the end of audio science" the way "objectivists" do. What if we aren't? In the past, whenever we thought we were, in any field, were we? No. It's not an intelligent position to take, as far as I'm concerned. Staunch objectivists make a wager: "I bet our theories are perfect." Does that seem like a good bet?

 

The measurements obsession, in my view, and the philosophy it begets, becomes a kind of fascism that grows in the mind. One ends up losing trust for one's sensory impressions, and dogmatizing the impressions of others. OBVIOUSLY blind tests are better. Obviously people's minds can trick them. Obviously measurements are useful. But the fact is, with self-awareness and curious self-skepticism, one can improve one's recognition of sound, in incredibly various ways. We aren't aware of the limits. There are hearing masters who slay blind tests. Charles Hansen posted about a man he knew who could reliably make insane calls blind, including about gear riser materials, etc.

 

In science, data has to be critically interpreted, and fit into hypotheses and theories. Data is also reinterpreted. Endlessly. It always should be. Hypotheses are recrafted and retested. Ultimately, the human is the master of science, not the tool. People seem to be forgetting this...and it honestly creeps me out.

 

One of the most magic parts of life is that you can actually improve ALL of your senses. And you can have a critical, evolving relationship with how you interpret them. It's amazing. You don't need to be a measurement machine's bitch, or a slave to whatever theories are in hegemony. You get to develop your own experience and your own ideas. You can actually plumb the depths of human sense down paths no one has gone before. And you can craft interpretations which are entirely new. Forever.

 

We ought to hammer this out more so we don't lose more folks to the personless, non-critical void.

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46 minutes ago, opus101 said:

But its not my steady state. He's set that up as the straw man he's debunking. Hence the sleight of hand.

 

... so it's not a common argument that "Sinewaves are steady-state signals that represent too easy a test for amplifiers, compared with the complexities of music"?

 

47 minutes ago, opus101 said:

...

Note here the irony - its typical for 'objectivists' to dismiss arguments by dismissing those who posit them. You've done that with Frank - 'That's why I generally ignore you Frank' - a perfect example of ad hominem. OTOH you describe Frank's response as 'dismissing the article's author' when in fact he dismissed the arguments, through referring to the fallacy they embodied.

 

Guilty as charged. I really need to ignore him. 

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1 minute ago, Don Hills said:

 

... so it's not a common argument that "Sinewaves are steady-state signals that represent too easy a test for amplifiers, compared with the complexities of music"?

 

Its poorly expressed, an argument that might be heard from those without any technical training. Hence easy to dismiss. Let's turn it around.

 

By observation, a single sinewave is quite unlike music in character. Given that amps are for playing music, not single sinewaves the onus is on those that claim single sinewaves are a good enough substitute for music when evaluating amp performance to explain why.

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Granted, it's most commonly heard from such folks. Simple, logical, and wrong, because they don't understand why.

 

Also true that a single sinewave is quite unlike some music in character. In some ways though, it is more revealing of equipment shortcomings than music is. Example: the onset of clipping is much more  obvious with a sine wave than with music. And there's my  "party trick" from the 80s: Playing the 1 KHz tone from a test record on a very highly regarded turntable setup, then playing the same tone from a test CD. And then I point out that the defects so audible in the LP tone are present in all the music played on that turntable... why can't you hear them, if music is so much more revealing of defects than a single sinewave?

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The answer of course is  - that the sinewave is revealing of some defects, but not those that matter so much to our ears/brain. Which is why, as I said in the last post, the onus is on those who promote them to justify why they use them.

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One of the well regarded amplifier Quad was designed entirely by sinewaves. In fact, no listening test was conducted during the design search. 

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1 hour ago, opus101 said:

The answer of course is  - that the sinewave is revealing of some defects, but not those that matter so much to our ears/brain. Which is why, as I said in the last post, the onus is on those who promote them to justify why they use them.

 

There is no justification needed to use a pure sine wave to measure some properties of a system. All the more complex signals, from square waves to music can be decomposed into some combination of sine waves.

 

If your point is that a single sine wave is not sufficient to completely characterize an audio component or system, then I agree.

 

But, the argument that you can only measure equipment with real music is the one that needs justification, as it is contrary to science and mathematics. IMHO, it only exists to justify the 'golden ear' audiophile myth.

 

That said, I tend to measure equipment with a single sine, multiple fixed frequency sines, sine sweeps, and music recordings.

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1 minute ago, pkane2001 said:

 

There is no justification needed to use a pure sine wave to measure some properties of a system.

 

Right, but then I've not been talking about measurement.

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16 minutes ago, Kal Rubinson said:

It is impervious to disproof!

Maybe! But if the ideas of subjectivism were random and unrelated to some underlying reality I would have expected the ideas to have changed in some way over time. 

 

I think Douglas Self poo pooed the idea that capacitors could sound different in the 30 year old paper, but I did find this recent talk he gave apparently about cost effective ways to avoid sonic degradation by capacitors:

 

http://www.aes.org/e-lib/browse.cfm?elib=19535

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11 minutes ago, Richard Dale said:

Maybe! But if the ideas of subjectivism were random and unrelated to some underlying reality I would have expected the ideas to have changed in some way over time. 

 

https://www.researchgate.net/publication/236003702_How_Convenient_The_Epistemic_Rationale_of_Self-validating_Belief_Systems

 

Quote

This paper offers an epistemological discussion of self-validating belief systems and the recurrence of “epistemic defense mechanisms” and “immunizing strategies” across widely different domains of knowledge. We challenge the idea that typical “weird” belief systems are inherently fragile, and we argue that, instead, they exhibit a surprising degree of resilience in the face of adverse evidence and criticism. Borrowing from the psychological research on belief perseverance, rationalization and motivated reasoning, we argue that the human mind is particularly susceptible to belief systems that are structurally self-validating. On this cognitive-psychological basis, we construct an epidemiology of beliefs, arguing that the apparent convenience of escape clauses and other defensive “tactics” used by believers may well derive not from conscious deliberation on their part, but from more subtle mechanisms of cultural selection.

 

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41 minutes ago, Kal Rubinson said:

It is impervious to disproof!

 

Dude!  You have to ... like... experience it!

 

Never forget what Oscar Wilde said:  "We are all lying in the gutter.  But some of us hit our head so hard we think we are seeing stars."

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On 1/13/2019 at 10:56 AM, pkane2001 said:

In science, the simplest explanation that fits all the known facts is the one that is preferred.

 

Quantum mechanics, relativity, and the Standard Model of particle physics are all quite simple. yes.  ;)  (Not that audio is nearly as complex as those, I'll readily grant.  But you did say "science.")

 

I would only resort to old Geoff's razor when the ability to perform scientific research or simply to learn more from the available scientific and engineering literature isn't within our reach.  Otherwise, we're in danger of elevating the current state of our knowledge to the state of what is possible.

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36 minutes ago, kumakuma said:

I don't think subjectivism is a belief system, it is about subjective experiences. 

 

I have no 'belief in tube amplifiers' for instance, but I just find I like the sound of them. In 1977 there was article comparing amplifiers in HiFi Pleasure where a tatty Radform STA25 was voted the best sounding out of a range of expensive modern amplifiers. The guy who provided the Radford  worked for Audio T and was a friend of  friend of mine. I met Alan after he modified my friend's Radford STA15 power amp and associated preamp. He had all these apparently wacky ideas such as the power supplies being the most important part of an amplifier (tube or solid state), which is now pretty mainstream in high amp designs AFAIK. But the proof was in the pudding and my friends STA15 sounded amazing. After that I got hold of a tatty pair of Quad IIs and compared them with my huge flashy looking Rotel RX-602 receiver which I thought was the bees knees up to the point. Much to my surprise the Quad destroyed my Rotel receiver even with my relatively inefficient KEF 104Ab speaker I had at the time.

 

EDIT: Just found this link about the HiFi For Pleasure blind test:

 

http://boneshifi.blogspot.com/2015/02/the-radford-sta-series-of-amplifiers.html

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24 minutes ago, Jud said:

Quantum mechanics, relativity, and the Standard Model of particle physics are all quite simple. yes.  ;)  (Not that audio is nearly as complex as those, I'll readily grant.  But you did say "science.")

 

Note that I didn't say "simple", I said "simplest". That's significant. 

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40 minutes ago, Jud said:

 

Do you know whether the theories that ultimately prevailed were the simplest?  :) 

 

On this general subject matter, an interesting book: https://smile.amazon.com/Lost-Math-Beauty-Physics-Astray-ebook/dp/B0763L6YR7/ref=sr_1_1?ie=UTF8&qid=1547508603&sr=8-1&keywords=sabine+hossenfelder+lost+in+math

 

I like how you subtly try to put words in my mouth, Jud ;) I also didn’t say anything about prevailing, just about simplest explanation being preferred.

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28 minutes ago, Jud said:

 

Do you know whether the theories that ultimately prevailed were the simplest?  :) 

 

On this general subject matter, an interesting book: https://smile.amazon.com/Lost-Math-Beauty-Physics-Astray-ebook/dp/B0763L6YR7/ref=sr_1_1?ie=UTF8&qid=1547508603&sr=8-1&keywords=sabine+hossenfelder+lost+in+math

I think how the theory is expressed can affect how 'simple' or 'elegant' a theory appears to be. For instance when Maxwell formulated his equations using 'quarternions' they were very difficult to understand and not obviously a giant step forward that we know them to be today. It wasn't until Oliver Heaviside reformulated Maxwell's equations in terms of complex numbers and vectors and greatly simplified them, that they became widely understood and their full power could be realised. Maybe it is the notations that prevail tend to be the simplest because they allow a theory to have maximum leverage. 

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24 minutes ago, pkane2001 said:

 

I like how you subtly try to put words in my mouth, Jud ;) I also didn’t say anything about prevailing, just about simplest explanation being preferred.

 

Not at all, Paul, I was asking a different question.

 

Edit: It's related to my initial comment, where I said that Ockham's Razor should be employed where we don't have scientific and engineering literature and research ready to hand.  Instead of calling upon the Razor at a preliminary stage, let's see if there's more we can readily learn about the scientific and engineering facts of the matter.

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3 hours ago, Richard Dale said:

I don't think subjectivism is a belief system, it is about subjective experiences. 

 

I have no 'belief in tube amplifiers' for instance, but I just find I like the sound of them.

 

What you say here is quite reasonable. And if your statement - that you have no "belief" in tubes but just find you prefer their sound - was where most subjectivist statements and claims ended, I don't think there'd be any issue.

 

But as you well know, that's often not where the claims end. Instead, many folks will expand on their preferences to further claim that tube amplifiers have higher fidelity to the source than better-measuring solid-state amplifiers. Again, if they were fine with the notion that tubes are less linear but that their predominantly 2nd-order distortion can make them more pleasant to listen to, that would be fine. But the claim often is that tubes have more fidelity - and at times the claim goes even further: such gear has more fidelity because of the features that make it measure worse, or else because of some other mysterious characteristic that we haven't thought to measure or figured out how to measure.

 

Now, with tubes this discussion/debate still is relatively easy to have, because the distortion characteristics of tubes (along with the distortion characteristics of, say. Class A/B solid-state amps) are well-known.

 

But when it comes to something like, for example, computer hard drives, then the discussion becomes impossible. "X brand of hard drive produces a much better soundstage image than Y brand of hard drive" cannot reasonably be interpreted as a mere subjective preference. It's a claim based on a belief, namely, that there's something about different hard drives that can impact the subtle, analogue-style qualities of sound.

 

That "subjective experience" of hard drives' alleged sonic differences requires an underlying belief in unspecified differences that are somehow in the bits and bytes and yet not in the bits and bytes; that are not in any discernible or measurable way transmitted through the very well-known mechanism by which a hard drive's data ends up in a computer's RAM buffer, and yet are somehow transmitted nonetheless.

 

And the reason I know that an underlying belief system must exist for these "in my experience hard drive X sounds better" claims, is that whenever someone who claims to hear differences between hard drives gets challenged on that, they don't respond with "well, I just happen to prefer this hard drive." Instead, they respond by challenging the basic principles of data storage and digital data transmission.

 

Now, to be clear, I am not trying to saddle you personally with this belief system. I'm only saying that, respectfully, I don't think your (and others') subjective preference for tubes is sufficient evidence to claim that subjectivism is not a belief.

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1 hour ago, Jud said:

 

Not at all, Paul, I was asking a different question.

 

Edit: It's related to my initial comment, where I said that Ockham's Razor should be employed where we don't have scientific and engineering literature and research ready to hand.  Instead of calling upon the Razor at a preliminary stage, let's see if there's more we can readily learn about the scientific and engineering facts of the matter.

 

I'm not sure I understand. But if you are saying that Ockham's Razor should not be applied to audio because we don't have all the facts and research, I think that's incorrect. It can be applied at any stage of inquiry. As you dig deeper into a subject, you may find new data that invalidates your previously 'simplest' explanation. Then it's time to come up with a new one.

 

Current state of our understanding of electronics, audio, sound, is such that we know a whole lot more than we don't know. And the reports from golden ear audiophiles doing uncontrolled listening tests does not rise anywhere close to a level of invalidating established theories and design. This is because there is a much simpler explanation for these reports: uncontrolled bias and variable perception.

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4 hours ago, pkane2001 said:

Audiophile subjectivism is a belief in the infallibility of human hearing and perception. 

 

As a self-identified subjectivist, I have no such belief. Nor have I heard any other subjectivist express such a belief. What evidence is this claim based on?

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13 minutes ago, pkane2001 said:

I'm not sure I understand. But if you are saying that Ockham's Razor should not be applied to audio because we don't have all the facts and research, 

 

I didn't know I was being that unclear, sorry. What I'm saying is precisely the opposite: We know or can readily access so much information and research that there's no need at all to resort to Ockham's Razor.

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